Get ready for the album of the year...

"Get ready for the album of the year from the biggest, brightest, best band in the Universe...No site HOME tens um grande texto a falar do cd que aí vem...Os nossos DM contam nos que irá sair uma ediçao especial do Sounds of the Universe com 17 musicas,incluindo demos,entre outras novidades!!!Frases marcantes como a do titulo da noticia sao muitas...Eles estao mesmo cheios de confiança!!!Sem mais demoras aqui fica o texto:
Depeche Mode - Sounds Of The Universe (Mute)

Groundbreaking, chart-topping electronic legends Depeche Mode
return in April 2009 with their most dazzling and diverse album in
decades. Sounds Of The Universe finds Martin Gore, Dave Gahan and
Andy “Fletch” Fletcher back at the top of their game after almost 30
years together. Eclectic and energised, they sound like a band reborn.
With global sales in excess of 100 million, including Number One albums
and dozens of classic singles, Depeche Mode belong to a select
premier league of supergroups - alongside U2, REM and Metallica -
who have survived from the early 1980s with their ideals, their creative
vision and their core members intact. They overcame internal friction
and critical hostility to become one of the most influential bands of the
post-punk era, namechecked by everyone from The Killers, MGMT,
Coldplay, Pet Shop Boys and Marilyn Manson.
Sounds Of The Universe is Depeche Mode’s latest forward-thinking
masterpiece, a Violator for the 21st century. Lyrically, it contains many
of the band’s enduring obsessions - lust, spirituality, romantic yearning,
sinful temptation and sadomasochism - plus more overt black humour
than any of their previous albums.
Musically, Sounds Of The Universe will please fans of every age and
taste. From Dave’s overlord chant on the mighty first single Wrong to
Martin’s velvet-lined Scott Walker croon on the sensual lounge-music
ballad Jezebel, and from the sci-fi gospel-blues hymn In Chains to the
sleazy electronic glam-rock stomp Corrupt, this is a classic Depeche
Mode album.
As they approach their 30th anniversary, Depeche Mode are on a
personal and musical high. Old tensions have been resolved, hatchets
buried and bad habits conquered. Recorded in Santa Barbara and
New York, Sounds Of The Universe was born from positive creative
chemistry, and it really shows.
“It’s a tremendous record, just to blow our own trumpet,” laughs Dave.
“We’ve had the luxury this time of recording a lot more songs than we
really need, all of which have been of great quality.”
“All of us have had a really good time being together,” says Martin.
“The overall atmosphere in the studio has been fantastic. Very few
issues. We were very focussed.”
“The overriding thrust of the album is the number of high quality songs,”
Andy agrees. “Martin’s been writing really prolifically, to a high
standard. We’ve recorded about 20 songs, which is pretty good for
Depeche Mode. We’re even doing a deluxe version of the album with
about 17 or 18 tracks, including old demos from current and previous
albums.”
The album title Sounds Of The Universe has various meanings, from its
spiritual subtext to its retro-futuristic arrangements. “We’ve used a lot of
old analogue synthesisers and drum machines, which conjure up
image of the universe and space travel somehow,” Martin explains.
“We’ve gone back to a lot of old vintage gear, without making the
album sound too retro. It’s like yesterday’s future. That’s why for me it’s
a perfect album title.”
Sounds Of The Universe marks a reunion between Depeche Mode and
Ben Hillier, who previously produced their 2005 album Playing The
Angel. A gifted all-rounder who has worked with full orchestras and
rock bands, Hillier gave the album a timeless sound palette blending
vintage bleeps and beats with contemporary electronic textures.
“We all felt it would be stupid not to work with Ben again,” says Martin.
“He’s just one of those people who puts his mind to something and
becomes instantly professional at it. He’s also quite forceful. That’s
important for us, at this stage of our career, to have someone willing to
stick their neck out and disagree with us.”
Like Playing The Angel, Sounds Of The Universe features writing credits
for both Martin and Dave. After honing his talents on two solo albums,
Dave has earned his place as Depeche Mode’s second songwriter.
“The fact that Dave has started writing songs has done a lot of good
for the band because his confidence is much higher now,” says Andy.
“He feels a lot more attached to the band because of that.”
In fact, Sounds Of The Universe is the closest collaboration yet between
Depeche Mode’s two main songwriters. Martin and Dave share vocals
on several songs and they have even co-written one track on this
record. It felt like “a true partnership”, says Dave. “I think in a blind test
people would find it difficult to tell who wrote which songs,” adds
Martin.
The first single from the album, Wrong grabs the listener’s attention from
its first stack-heeled, staccato shriek. Over stomping beats and
screeching synthesisers, Dave hammers out Martin’s darkly comicreflections on a lifetime of mistakes, misdeeds and bad decisions.
Instantly addictive, Wrong clearly has a guaranteed future as a skypunching
stadium anthem. It already feels like a Depeche Mode
classic.
“We decided at a fairly early stage that we wanted Wrong to be the
first single, because it’s quite different to anything we’ve released
before,” says Martin. “I don’t know quite what category to put it in
musically, but it’s got a kind of rap feel to it. It’s probably as close to
R&B as we’re ever going to sound.”
For Martin, another album highlight is Peace, with its sublime technogospel
arrangement and cascading choral refrain. It was written back
to back with Footprint, a seductive whirl of warped fairground pop,
which became a kind of nocturnal sister song to Peace.
“Both those songs had a spiritual element to them, and to me that
formed a sort of cornerstone to the album,” Martin explains. “We’ve
had spiritual references on previous records, but I think with this one it’s
a little more obvious.”
Dave’s contributions to Sounds Of The Universe were written with his
regular composing partners, Andrew Philpott and Christian Eigner,
Depeche Mode‘s live drummer. One of their stand-out collaborations is
Come Back, the dirtiest and rowdiest rocker on the album.
“I wanted to take it away from being a straight ballad,” says Dave,
“with a feel beneath it that was kind of My Bloody Valentine or Jesus
and Mary Chain. A big lush sound with this droning wall of noise
underneath. Martin did some fantastic backing vocals for that.”
Another of the singer’s dirty confessionals, Hole To Feed marries modern
electronics to a floor-shaking, bone-rattling Bo Diddley beat. The lyric, a
blend of rock-star swagger and tender yearning, is vintage Dave
Gahan.
“Lyrically, I’m just being my usual cynical self,” Dave laughs. “I’m the
man who has everything but I’m still just poking around in that little hole
that feels empty, wondering what I can fill it with.”
In keeping with tradition, Anton Corbijn again provides the striking
sleeve design and band photos for Sounds Of The Universe. Now an
acclaimed film director with his Joy Division biopic Control, the “Dutch
Master” has been Depeche Mode’s chief visual consultant for over 20
years.
“It was difficult to get him this time,” Andy laughs. “Now he’s won all
these awards as film director it was very hard to tie him down for an
album cover. But yes, Anton’s still involved, he’s very important to
Depeche Mode.”
The band is set to go on a mammoth global jaunt opening on May 10
with 28 stadium concerts across the Middle East and Europe. Further
legs of the tour will include the US and throughout South America. “We
played Mexico on the last tour and it was amazingly successful,” Martin
recalls. “We did two nights in Mexico City to 50,000 people each night.
Knowing how popular we are out there, we’re expecting a similar
reaction this time - we all felt we neglected South America on the last
tour, so we decided to put that right.”
For a band with such a long and successful history, selecting the set list for the tour is a major task. Around 230 possible Depeche Mode classics
need to be honed into a 20-song concert. “Every time we tour now the
set list becomes a real nightmare,” says Andy. “Because we’re a
democracy, it’s like the Eurovision Song Contest, voting individually for
each song. But it’s not such a bad problem to have.”
Public response to the Tour of the Universe has been phenomenal, with
many European stadium shows selling out almost immediately. “The
touring thing is where it all makes sense for me,” nods Dave. “Once the
fans are there, there’s always that feeling underneath DepechMode’s music of wanting to be part of something, and there are a lot
of people out there who feel the same.”
Ultimately, all three members of Depeche Mode pay tribute to the
loyal army of fans who have supported them for almost 30 years. Their
devotion is what makes forward-thinking albums like Sounds Of The
Universe possible, and their excitement is what makes Depeche Mode
tours such electrifying spectacles.
“We’ve been blessed over the years by our audience,” says Martin.
“We have the craziest, most loyal fans of any band I know. People who
think Depeche Mode are doomy should just come and see one of our
concerts and see how the audience react. The shows are just an
amazing high, everybody’s there to have a good time.”
In 2009, Depeche Mode are unstoppable. Get ready for the album of
the year from the biggest, brightest, best band in the Universe.

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